Doctor Miracle

Georges Bizet (1838–1875)

The mayor and his wife Véronique are woken up very early one morning by what appears to be a noisy campaign outside their house, shouting the talents of a Doctor Miracle. This is, in fact, a young officer, Silvio, who had thought up this ruse in order to be able to serenade the mayor’s daughter Laurette, with whom he has fallen in love. Laurette sings of her passion for Silvio, and a young man suddenly arrives at the house: he says that he is Pasquin and that he has been sent by a friend of the mayor to help out with the housework. The mayor is delighted to welcome him into the house, not realising that Pasquin is in fact Silvio in another disguise!

Georges Bizet has long been a victim of his own success. Posthumous success, that is, because his greatest opera, Carmen, was famously a flop at its premiere just three months before his death in 1875. But there is much more to him operatically. In addition to his popular Les Pêcheurs de perles, there are six other operas. Bizet was just 18 when he composed Le Docteur Miracle (Doctor Miracle), and if it unsurprisingly lacks musical originality it is nevertheless a little gem, almost resembling a foreshortened amalgam of Rossini’s Barbiere and Donizetti’s Elisir. Indeed, at every turn, Doctor Miracle shows how remarkably well the young composer had already mastered the comic style.

Bizet was nearing the end of his student career – soon to be capped by winning the Prix de Rome – when he entered a comic-opera competition organised by Offenbach in 1856. A distinguished jury whittled down the 78 entrants to six finalists, each of whom was given the same libretto (by Leon Battu and Ludovic Halévy, based on the Richard Brinsley Sheridan farce St Patrick’s Day), and eventually, Bizet and Charles Lecocq were declared joint winners of the first prize. Successful performances followed at Offenbach’s theatre, the Bouffes-Parisiens, before Doctor Miracle disappeared for almost a century.

Where Doctor Miracle is surely unique is in boasting an amusing ‘omelette quartet’, in which Bizet enjoys playing with the rhythms of the words ‘Voici l’omelette’ and which features mock-heroic invocations to a poorly cooked omelette that both tastes and smells horrible. In best comic tradition, the ‘servant’ – actually the disguised suitor of the mayor’s daughter – who made the omelette is sent off, and gets his revenge by announcing that the omelette was poisoned and that the only person with a cure is a certain…Dr Miracle.

Sung in English with English surtitles

Clayton Whites Hotel  | TICKETS €30

Wednesday 23 October | 3.30 p.m.

Saturday 26 October | 3.30 p.m.

Thursday 31 October | 3.30 p.m.

Libretto by Léon Battu and Ludovic Halévy

First performance 9 April 1857, Bouffes-Parisiens, Paris

Creative Team

Music Director
Andrew Synnott


Previously at WFO: Composer/Music Director (Dubliners ShortWork, 2017).

Previous Engagements: Conductor (Les Contes d'Hoffmann, Offenbach, Irish National Opera; Banished, Stephen McNeff, RIAM Opera).

Forthcoming Engagements: Conductor (National Symphony Orchestra of Ireland, National Concert Hall – Dublin; World premier, Kevin O’Connell, RIAM Opera), Composer (Incidental Music for The Odyssey, Gavin Kostic).

Stage Director, Stage & Costume Designer
Roberto Recchia


Previously at WFO: Director (Bernstein à la carte ShortWork, 2018).

Previous Engagements: Director (Adelson e Salvini, Bellini, Teatro Massimo Bellini Catania; Tutto quello che volevo, Cinzia Spanò, Teatro dell'Elfo, Milano), Director/Actor (Futuristi per caso, Roberto Recchia, Spazio No'hma, Milano).

Forthcoming Engagements: Director (Mettici il cuore, Corvino/De Vivo, Teatro Coccia, Novara).

Lighting Designer
Johann Fitzpatrick


Previously at WFO: Lighting Designer 2018 ShortWorks (Don Pasquale, Bernstein à la carte, La fanciulla del West).

Previous Engagements: Lighting Designer (The Scottsboro Boys, Kander and Ebb, Playhouse on Park; The Musical Adventures of Flat Stanley, Timothy Allen McDonald, Playhouse on Park).


Lizzie Holmes

United Kingdom

Previous engagements: Cunegonde (Candide, Bernstein, Minack Theatre – Cornwall), Dew Fairy (Hänsel und Gretel, Humperdinck, Grange Park Opera), Musetta (La bohème, Puccini, King's Head Theatre at the Trafalgar Studios).

Forthcoming engagements: Soprano Soloist (Johann Strauss Gala, National Concert Hall Dublin), Crush Room Recital (Royal Opera House), Soprano Soloist (Viennese New Year's Eve Gala 2019, Barbican Hall – London)

Kasia Balejko


Previous Engagements: Ludmila cover (Bartered Bride, Smetana, Garsington Opera), Clairon cover (Capriccio, Strauss, Garsington Opera).

Dr Miracle
Guy Elliott

United Kingdom

Previous Engagements: Prince Phillippe (A Dinner Engagement, Lennox Berkeley, Royal College of Music International Opera Studio), Woodrow Wilson, Studio Assistant, Village Idiot, Man in Black, Yuppie, Technician and Voice over (Scoring a Century, David Blake, British Youth Opera), Soloist (Messiah, Handel, Concerts from Scratch, Royal Albert Hall).


Le Podestat
Simon Mechlinski


Previously at WFO: Luigi (Il bravo, 2018), Dr Malatesta (Don Pasquale ShortWork, 2018).

Previous Engagements: Eugene Onegin (Eugene Onegin, Tchaikovsky, Toulon Opera), Foka (The Enchantress, Tchaikovsky, Lyon Opera), Janusz (Halka, Moniuszko, Wroclaw Opera).

Forthcoming Engagements: Ryx (Casanova, Ludomir Rozycki, Warsaw National Philarmonie), Strahlbusch (Irrelohe, Schreker, Lyon Opera).