Libretto by Salvadore Cammarano based on the play El trovador by Antonio García Gutiérrez French libretto by Émilien Pacini Music by Giuseppe Verdi
First performance of the French version Opéra de Paris - Salle Le Peletier, Paris 12 January 1857
Sung in French with English surtitles
A rare chance to hear the French version of Il Trovatore, with the addition of ballet music of extraordinary quality as well as adjustments to the score. Following the successful presentation of Il Trovatore in Paris, the director of the L’Opéra de Paris proposed that Verdi revise the work for Paris as a Grand Opèra.
Hear from director Ben Barnes and designer Liam Doona about their approach to staging the production as part of the 74th Wexford Festival Opera.
‘It's kind of a great place to start, actually, this piece. The music is fantastic, absolutely fantastic, incredibly engaging and I think really accessible as a piece as well.’ — Liam Doona, Stage Designer
Giorgi studied at the Tbilisi State Conservatoire before joining the Tbilisi State Opera Theatre in 2016, where he continues to appear. From 2018 to 2020, Giorgi studied at the Teatro Alla Scala Academy, gaining experience alongside renowned artists such as Leo Nucci, and has successfully competed in several international competitions.
Conor was a member of the first Wexford Factory. Here he performed as Fritz (Edmea, 2021) and Dr. Cajus (Falstaff, 2020). His recent roles include Tamino (Die Zauberflöte), Don Ottavio (Don Giovanni), Beppe (Pagliacci), Moser (Die Meistersinger von Nürnberg). In 2024 he will be the Defendant (Trial by Jury).
Jade is currently a studio member with Irish National Opera 22/23. Jade was a member of the Wexford Factory and sang Ariele (La tempesta), Giulietta (I Capuleti e i Montecchi, 2021) and Alice Ford (Falstaff, 2020). She participated in the Rossini Opera Festival Academy in Pesaro where she performed as Modestina (Il viaggio a Reims, 2021).
Baritone Philip Kalmanovitch, an alumnus of the Atelier lyrique de l'Opéra de Montréal, is gaining recognition for his vibrant voice and dynamic stage presence. He has recently performed as Bill Jones in the North American debut of Brokeback Mountain with New York City Opera, and in Tosca with Gulfshore Opera. Philip’s work with l'Opéra de Montréal includes acclaimed roles such as Antonio in Le nozze di Figaro. He has also performed with the Orchestre Symphonique de Montréal and other notable ensembles.
Romanian tenor Vladimir Sima, a graduate of the Royal Conservatoire of Scotland and the Royal Irish Academy of Music, has performed with Wexford Festival Opera (Bardolfo in Falstaff and Gherardo in Gianni Schicchi), Irish National Opera, and Northern Ireland Opera. He was part of the inaugural Wexford Factory Young Artist Programme and has also worked with the Grange Festival, covering roles in Macbeth and The Yeomen of the Guard, and will return in 2024 to sing Spoletta in Tosca.
Since 1994, Daniele has been Head of Lighting and Lighting Designer for the Teatro Comunale di Bologna. Among his many productions in Italy and around the world are Il trovatore, Rigoletto and La traviata (Maggio Musicale), Carmen (Rome), Lohengrin (Bilbao), Jérusalem (Zurich) and La fille du régiment (Tel Aviv).
Paolo began his career as a stage technician for concerts and events before discovering his passion for theatre and lighting design. In 2016, he started collaborating with renowned stylist Pierre Cardin as a lighting designer for musicals and by 2022, he was working at Teatro Comunale di Bologna.
Grace is a theatre maker and director. She is one third of theatre company tasteinyourmouth. Her recent credits include: The Sudden (Pan Pan), You’re Needy (sounds frustrating) at Camden People’s Theatre and Narcissus (Dublin Fringe, Chiswick Playhouse). Grace is the Associate Artistic Director of Pan Pan theatre.
September 2023
The Plot
A story built around three sub-plots of War, Revenge and Love.
Two brothers, separated at birth under tragic circumstances, who unknowingly become enemies. Manrique, has been raised by the gypsy, Azucena, as a troubadour, while the other, the Comte de Luna, grows up as a nobleman.
Their rivalry leads to war and love triangles where both turn out to be in love with the same woman, Leonore. Tragically, the Comte’s determination leads him to order the execution of Manrique, before discovering his real identity.
Watch & Listen
Le Trouvère | Director interview
Hear from director Ben Barnes and designer Liam Doona about their approach to staging the production as part of the 74th Wexford Festival Opera.