Opera in a prologue and two acts by Ruggero Leoncavallo Libretto by Ruggero Leoncavallo
Semi-staged opera Sung in Italian with English surtitles
First performance Teatro Dal Verme, Milan, Italy, 1892
Background
It’s easy from this distance to overlook the fact that Pagliacci was one of the earliest operas (along with Carmen and, of course, its fellow Cavalleria rusticana) to enable the feelings and emotions of their lowborn characters. But Pagliacci stands out especially for doing so while also making extremely sophisticated musical and dramatic points about theatrical illusion and reality.
Stefania has assisted Rosetta Cucchi in most of her productions, but also directed herself some productions at WFO, including Le Songe d'un nuit d'été (2021), The 47th Saturday (2021) and La traviata (2013). She also directed L'elisir d'amore (Modena and Savona, 2023) and La rondine (Como, 2023). She will direct Mahagonny (Como).
September 2023
Stage and Costume Designer
Frances White
Lighting Designer
Paolo Bonapace
The Plot
Pagliacci is a dramatic tale of love and betrayal centred around a commedia dell’arte troupe. Canio and Nedda are married, and Nedda has a secret affair with Silvio. Fearing Canio’s jealous anger, Nedda hides the entanglement and even attempts to break it off with Silvio. Yet, their love is strong, and they plan to run away together.
Tonio, also in love with Nedda, admits his love for her, but she turns him away, humiliating him. In an act of revenge, Tonio tells Canio that Nedda is having an affair, as he suspected. During a performance, Canio confronts Nedda and stabs her. Silvio attempts to save Nedda, running up on stage but is also stabbed by Canio. The audience, not realising the reality in front of them, claps until Canio screams, “the comedy is ended.”